Notes on Still Exhausted Introduction 11: While these advancements have arrived with their share of hype and grift, there is no doubt computers will increase their capacity to generate convincing images and speech at a click. Always engines of simulation and doubling, our ever-theatrical computational systems have become expert mimics of human visual art and language. AI thus presents intriguing questions about our relationship to falsity, the semiotics of language, and the crumbling liberal fantasy of authentic subjectivity ( Jucan 2023 ; Dixon-Román and Amaro 2021 ; Jarvis 2021 ). But the actors of SAG-AFTRA were not marching from existentialist commitment. They marched for their interests. They posed the duality of computers v. performance, like so many Hollywood stories of doppelgängers, as antagonistic. As SAG-AFTRA President Fran Drescher put it: “What is our business, our gestures, our likeness, our acting, our voices? That’s what we’re selling. That’s who...
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Studio gibli https://www.hollywoodreporter.com/business/business-news/hayao-miayazaki-openai-studio-ghibli-1236177598/?utm_source=firefox-newtab-en-us "And why not? Miyazaki’s creations reflect a bespoke, unique aesthetic, arrived at from thousands of hours of human labor and good old-fashioned dreaming. The idea of merging that with photos from our last family trip to Disneyland — using nothing more than a few keystrokes — can prove too enjoyable to resist. ADVERTISEMENT Of course a certain irony abided in a machine generating images to honor someone who so meticulously drew them with his own fingers. Miyazaki himself has decried AI’s use in art — “I strongly feel this is an insult to life itself,” he said in 2016, non-gently, a point that when juxtaposed with so many people unleashing the tool in homage to his work turned their act hilarious and a little cringe. This is all happening even as a federal judge has greenlit ...
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